Tag: fine-art-backstories

  • Blur Think Tank Tour Concert Poster at Vox Club, 2003

    Blur Think Tank Tour Concert Poster at Vox Club, 2003

    Print details

    • Purchased on: 05/16/2024
    • Size: 70×100 cm

    Backstory

    I decided to buy this piece for two different reasons: the first is because I already own a piece related to Banksy, and I wanted to create a mini-collection featuring his work. Secondly, I want to remember the period from 1990 to 2010, which was quite special for live music in Italy, thanks to venues like the Vox Club of Nonantola—the closest to my home, where I had the chance to see a lot of live music.

    About the Blur poster

    Original 2003 poster used for the Blur concert at the Vox Club in Modena. The poster features Banksy’s famous “Think Tank” mural at the center, making it a very valuable heirloom.

    The rarity of the image, created specifically by Banksy for Blur, is highlighted by the fact that the artist always refused to make commercial works. Banksy defended his choice:

    “I’ve done a few things to pay the bills, and I did the Blur album. It was a good record and [the commission was] quite a lot of money. I think that’s a really important distinction to make. If it’s something you actually believe in, doing something commercial doesn’t turn it to shit just because it’s commercial. Otherwise you’ve got to be a socialist rejecting capitalism altogether, because the idea that you can marry a quality product with a quality visual and be a part of that even though it’s capitalistic is sometimes a contradiction you can’t live with. But sometimes it’s pretty symbiotic, like the Blur situation.”

    The album’s cover art sold at auction in 2007 for £75,000. [source]

    About the concert venue

    The Vox Club in Nonantola was born from the ashes of another venue renowned for music, the Mascotte. Part of the CCCP concert, held in May 1988, is available online (part 1, part 2).

    Opened in 1992, Rolando Rivi himself, the patron of the venue and head of Studio’s, has always emphasized that ‘the Vox Club not a disco, it’s a concert club. The disco activity serves to ensure continuity for the venue and its programming, but the purpose of the Vox is live music’ [source].

    In fact, for 20 years the Vox Club has been a landmark for live music, hosting not only all the most popular Italian artists of the moment, but also many international artists. Among others (thanks to Marco Z. and Federica N. for helping me with the research): Bob Geldof (1992), Nick Cave (1993, 1994), Stone Temple Pilots (1994), Jamiroquai (1994), Counting Crows (1994), Bjork (1995), Paul Weller (1995, 2005), Bush (1995), Shaggy (1995), Blur (1996, 2003), Sonic Youth (1996), Skunk Anansie (1997), The Wallflowers (1997), Korn (1997), Counting Crows (1997), Ben Harper (1997), Radiohead (1997), Robbie Williams (1997), Portishead (1998), David Byrne (1998), Massive Attack (1998), Eagle-Eye Cherry (1998), Goo Goo Dolls (1999), The Cardigans (1999), Morrissey (1999), Bush (2000), Jarabe de Palo (2000), Richard Ashcroft (2000), St. Germain (2000), Morcheeba (2000), Calexico (2001), Kings of Convenience (2001), Air (2001), Travis (2001, 2003), Oasis (2002), Queens of the Stone Age (2002), Stereophonics (2003), Interpol (2005), Bloc Party (2005, 2007), Arctic Monkeys (2006), Alter Bridge (2010).

    While this is a short piece about the Vox Club, I hope to dive deeper into this piece of music history related to music clubs: stay tuned.

    The collection

    In 2023, I began collecting photographs (primarily) that have a story to tell. The enthusiasm from the few people I shared the idea with encouraged me to make these stories public. I have therefore decided to also publish these “stories” on my website, so that they are not exclusively accessible via the QR code I offer to my guests.

    Visit this page for more stories

  • Mick Jagger outside Tangiers Shop (Morocco) in 1967 – Michael Cooper

    Mick Jagger outside Tangiers Shop (Morocco) in 1967 – Michael Cooper

    Print details

    • Photographer: Michael Cooper (UK, 1941-1973)
    • Purchased on: 07/23/2023
    • Edition: 1/25 from Micheal Cooper Collection
    • Size: 33×49 cm

    Backstory

    In February 1967, the Rolling Stones decided to leave London for Morocco while awaiting a verdict on drug charges against them, following a party incident at Keith Richards’ house.

    February 11-12, 1967: Keith Richards holds a weekend party at his home Redlands, with Mick Jagger and Marianne Faithfull, George and Patti Harrison, art deal Robert Fraser and others. Tipped by the News of the World, the police arrive on the premises (when the Harrisons are gone) and conduct a search for drugs. The police confiscate pills from Mick Jagger’s coat, heroin belonging to Robert Fraser and cannabis resin. [source]

    However, if they hoped to escape their problems by leaving, they instead encountered issues that would forever change their story. According A Continuous Lean, which wrote a fantastic article about this trip, “the original plan had been for Jones, and Richards to be driven through France and Spain to meet up with Jagger in Morocco, but once Jones became sick he was forced to be hospitalized in Toulouse, France. Pallenberg and Richards forged ahead though, and with Jones temporarily out of the picture the two fell right into each others arms, starting a relationship that would last for the next twelve years.”

    Anita Pallenberg, Keith Richards, and Brian Jones in Morocco, photographed by Michael Cooper.

    The situation sparked tension within the Rolling Stones and ultimately led to Brian Jones, the band’s original leader and the one who named the group, being replaced by Mick Taylor in June 1969. Mick Taylor was later replaced by Ronnie Wood, who is currently a member of the band. Tragically, Brian Jones drowned a month later, under the influence of drugs and alcohol.

    After Mick Jagger and Keith Richards were formally charged (May 10, 1967) with drug possession (Mick) and allowing premises to be used for cannabis use, respectively, Keith’s conviction was overturned, while Mick’s conviction was upheld, though his sentence was quashed (July 31, 1967). [source]

    In an interview in 2017 about the bust, Mick Jagger said “The Stones were good targets. We made good copy. It was the idea of degenerative moral standards. They were looking for scapegoats for some sort of generational lifestyle.”

    About the photographer

    Born in 1941, Michael Cooper became particularly close with The Rolling Stones and The Beatles, for whom his most famous works were produced (the staging of the Beatles’ Sgt. Pepper ́s Lonely Hearts Club Band album cover was set up in his studio). An intimate of The Rolling Stones during the band’s earliest years, Michael Cooper chronicled the group’s rise from the blues clubs of London to international stardom. Referred to as the band’s “court photographer” from 1963 until his untimely death in 1973, Cooper at one point lived with Keith Richards and Anita Pallenberg, cultivating the sort of comradeship that allowed him to capture some of the most unguarded and honest images taken of the Stones during their first decade. Very few, if any photographs had been printed in a commercial fomat by that time. [source]

    The collection

    In 2023, I began collecting photographs (primarily) that have a story to tell. The enthusiasm from the few people I shared the idea with encouraged me to make these stories public. I have therefore decided to also publish these “stories” on my website, so that they are not exclusively accessible via the QR code I offer to my guests.

    Visit this page for more stories